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Gurmat Sangeet Study Guide : Basic Syllabus

A simple tutorial that explains the system of notation used in the above shabads as well as basic musical concepts is available in the paper :  Gurmat Sangeet Appreciation. The paper also presents a map of the harmonium or keyboard, making it fairly easy for the beginning student to identify and play musical notes.

Shabad (Recording)
 
Raga
Notation
Source

Har Har Simro Sant Gopala

  Yaman Kalyan Bhai Nazar Singh Ji, Milwaukee
Charan Kamal Prabh Ke Nit Dhyavoh   Bilaval Gyani Dyal Singh Ji, Delhi
Mohe Na Bisaro Main Jan Tera   Bhoopali Bhai Nazar Singh Ji, Milwaukee
Re Man Aiso Kar Sanyasa   Bhinn Shadja Bhai Nazar Singh Ji, Milwaukee
Jagat Jot Japai Nis Basur   Ahir Bhairav Bhai Nazar Singh Ji, Milwaukee

Once the Sevadar who is going to teach is ready he or she will need to Contact Us in order to be certified and the study of Gurmat Sangeet can begin in the local chapter.

When a chapter has mastered the Basic Syllabus, it can them move on to the Intermediate Syllabus which consists of the following shabads

It is highly recommended that the chapter go through certification for the Intermediate Syllabus, before proceeding to the Advanced Syllabus which consists of the following shabads :

  • Har Bin Kyon Rahiye Dukh Byape (Brindabani Sarang)
  • Sawan Saras Mana Ghan Barse Rut Aaye (Miyan Ki Malhar)
  • Har Ki Gat Nahi Kou Jaane (Bihagda)
  • Mai Main Man Ko Maan Na Tyagyo (Malkauns)
  • Jai Jai Jag Karan Srist Ubaran Mam Pratparan Jai Tegang (Bhairavi)